Christopher Griffith for Esquire
Christopher Griffith’s recent conceptual story for a feature in Esquire Magazine about transition surgeries and transgender procedures (or lack of) during the Covid-19 Pandemic.

Christopher Griffith’s recent conceptual story for a feature in Esquire Magazine about transition surgeries and transgender procedures (or lack of) during the Covid-19 Pandemic.
Introducing POPLIFE: Christopher Griffith’s newly launched Pop Art social commentary project. Collecting and photographing over 2,000 bottle caps from 7 different collections in the United States, POPLIFE is an ongoing project with prints available for purchase at the link below. For more information, follow @the.poplife on instagram or visit https://www.poplifegallery.com/
Four artworks of Christopher Griffith’s series ‘IN MEMORIAM’ will debut tomorrow night at the Venice Biennale.
IN MEMORIAM is a study into funeral wreath offerings about the dark side of the human condition. The group show ‘Personal Structures’ runs tomorrow night through November 24, 2019 at:
European Cultural Center
Palazzo Bembo,
Venice Biennale
Christopher Griffith in collaboration with The Brooklyn Brothers and Still Productions created his second MINI campaign on location in London.
Christopher Griffith photographed professional tennis star Naomi Osaka for the latest issue of The New York Times Magazine. Styling by Paul Frederick; hair by Yoichi Tomizawa; makeup by Lennie Billy. Read the full article here.
Christopher Griffith for Laura Mercier, Spring 2018 Collection.
Christopher Griffith shot Fox News host Sean Hannity for The New York Times Magazine cover, “How Far Will Sean Hannity Go?,” out now. You can read the full article here.
Christopher Griffith photographed the midcentury architecture of Columbus, Indiana for a story in Dwell Magazine titled “Ode to a Forward-Thinking America: Columbus, Indiana.” A link to the story can be found here.
Christopher Griffith captured the expressions of true New York Giants and Jets fans for a project commissioned by MetLife Stadium.
Christopher Griffith’s powerful image was featured in New York Magazine’s article, “Trump’s White Nationalist House,” written by Jonathan Chait. Read the full article here.