Jake Chessum for Time Out New York

January 22 2018

Jake Chessum shot Katya Blichfeld and Ben Sinclairas for the cover of Time Out New York, as season 2 of their HBO hit show “High Maintenance” premiered last week. Hair by Takashi Yusa , makeup by Sarah Graalman, and wardrobe by Tess Herbert.

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Markus Jans for Architectural Digest

January 18 2018

Markus Jans photographed artist Rachel Feinstein at work in the legendary Nymphenburg porcelain factory in Germany for the February issue of Architectural Digest. Her current exhibition is at the Gagosian Gallery in Los Angeles and runs through February 17th. You can read the full article here.

Jake Chessum for Playboy Club NYC

January 10 2018

Jake Chessum shot model Dana Taylor for the debut of Playboy Club NYC, coming soon. Styled by Alpha Vomero, makeup by Sandrine Van Slee and hair by Fred Van De Bunt.

Tim Barber for Reef

January 8 2018

Tim Barber shot model Cenit Nadir for the Spring 2018 Campaign for Reef, on location in the US Virgin Islands. Styled by Leah Henken, hair and makeup by Tara Jean.

Jake Chessum for Playboy Magazine

December 19 2017

Jake Chessum shot Christie Hefner in her Chicago office for the January/February 2018 issue of Playboy Magazine. This was shot shortly after her legendary father Hugh Hefner’s passing in September. Hair and makeup by Karen Lynn Accattato.

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Jake Chessum for Variety

December 15 2017

Jake Chessum photographed New York Times reporters Meghan Twohey and Jodi Kantor, the first to break Hollywood’s biggest sexual harassment story, for the cover of Variety. Hair by Gianluca Mandelli and makeup by Yumi Kaizuka. You can read the full article here.

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Anita Calero for Holt Renfrew “Bearing Gifts” Holiday Campaign

December 12 2017

Anita Calero continues her collaboration with Holt Renfrew for the 2017 holiday campaign, “Bearing Gifts.” Prop styling by Anita Calero & Sonia Rentsch.

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Christopher Griffith’s “Anonymous”

December 7 2017

Christopher Griffith’s personal project “Anonymous” featuring post war employee ID badges. “I first discovered them some years back at Brimfield Market and got obsessed with them as physical objects as they are a fusion of American graphic nostalgia and portraiture. Then it dawned on me that none of them seemingly had a name.They are just numbers. Just anonymous employees.”